Selected applications as part of the biennal call of FrArt are as follows:
Judith ADLER DE OLIVEIRA, Exploiting space as a composition parameter, and transcribing it onto the score : exploring spatialization devices by setting the choir, the musician, the conductor, and the public in motion;
Loup CACCIA, Nour OUTOJANE, Archiving as a Collective and Activist REappropriation Praxis;
Laurie CHARLES, The Illness Narratives - tools for narrative and artistic emancipation;
Cédric DAMBRAIN, Intermodulations: creative perception, towards an art of relationship;
Camille CIRCLUDE et Enza LE GARREC, Post-binary typography: research on the uses, appropriations and pollination of typefaces;
François DE SAINT GEORGES, Chemical stories/Chemical bodies;
Alexia DE VISSCHER, Léonard MABILLE, Alice NÉRON, New clothes of colportage Shadow Libraries: alternative aesthetics of cultural artefacts's organisation, dissemination and production;
Manuel HERMIA, The Rajazz theory : a new system for organizing musical notes. Research trough mathematical axes: combinatorics, geometry via musical mandalas, graphes and polytopes;
Pierre HUYGHEBAERT, Pacôme BÉRU, Sophie BOIRON, Marine DECLÈVE, Pierre MARCHAND, Julie VANDERHAEGHEN, Nina WILLEMS, Rescuing of a sensitive IGN archive: exploring and voicing cartographic practices;
Julie JAROSZEWSKI, Pauline FONSNY, The Belgian national narrative and its backstage : study of the historical and iconological modes of representation of the hunted of Belgium;
Ichraf NASRI, Koujina, Subalterns' Cuisine : an experimental and collaborative artistic research on food, cookery and colonization;
Doriane TIMMERMANS, Declarations
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