Archiving as a collective and activist reappropriation praxis
Breath Sounds
Chemical Stories/Chemical Bodies
Clearing up the mist : digital practices in overcast conditions
Constellation of spatial imaginaries: rethinking our links to Space and the Earth thought the study of alternative narratives of the Cosmos
Copwatching: the war of storytelling
Corsair Research. Theater research based on Pier Paolo Pasolini’s Corsair Writings and Lutheran Letters
DINdong
Declarations
Development of new extended techniques for the flute thanks to the acoustic comprehension of already existing techniques.
Different modes of disseminating the artwork: the improbable as a generator of meaning in contemporary art
Documents en mouvements
Esthétique du sublime, de sidération et de fin des temps. Quels récits pour l’anthropocène ?
Experimental and Collaborative Artistic Research on Queer Collective Approaches to Harm Reduction and the Act of Gathering
Exploiting space as a composition parameter, and transcribing it onto the score : exploring spatialization devices by setting the choir, the musician, the conductor, and the public in motion
Family Films. Colonial Anamnesis.
Galerie erg galerie 1978-1982 scripts
Homoneta
How to make the oral archive a work of art ? Performing (with) recorded voices.
I don't understand a word, i just collect data
Intermodulations: creative perception, towards an art of relationship
Intersections of Care
Koujina, Subalterns' Cuisine : an experimental and collaborative artistic research on food, cookery and colonization
La diaspora des objets
La force diagonale. Créer (avec) Hannah Arendt.
La théorie des Rajazz : un nouveau système d'organisation des notes musicales. Recherche via des axes mathématiques : la combinatoire, la géométrie via des mandalas musicaux, graphes et polytopes
Latent Walk, beyond the black box.
Lazare
Les Formes du documentaire - Portée politique et expérience esthétique
Looking for Lucy
L’expérience de la folie : recherche et cinéma
Micro-Percussion Hybridization. A First Approach to a New Instrument
New clothes of colportage . Shadow Libraries: alternative aesthetics of cultural artefacts's organisation, dissemination and production
OTLAS
PANGAEA, towards the territories of the imaginary and hybrid practices
Painting in light. An artistic exploration of new and uncanny properties of white light through a “quantum” light source
Post-binary typography: research on the uses, appropriations and pollination of typefaces
Projet Empain
Prospectus
Rescuing of a sensitive IGN archive : exploring cartographic languages
Rethinking the body of the piano and its vibration: extended pedal for new intra-piano playing
Répertoires Animés
SLATO
Shell Library
Summer Thoughts
T.A.L.O.S.
The Belgian national narrative and its backstage : study of the historical and iconological modes of representation of the hunted of Belgium
The Crickx research group
The Illness Narratives - tools for narrative and artistic emancipation
The Serial Production of Artworks
The animal who i am (following), performance art & animals
The last archive. Performing the lost heritage of the National Museum of Rio de Janeiro.
Too many rooms, too many views at the Eden Hotel.
Unschärfe im Möglichen (Unsharpness in a Possible)
Vibes and Leaks goes elastic
Why relooking at caricature today ?
Witching Interferences. Connecting to other frequencies, creating alternative paths
Écrire : outil de pensée et œuvre en soi
entities
Babak Afrassiabi
Tree Sort Algorithm
Forensic Architecture
Atelier cartographique
Sven Augustijnen
Anaïs Berck
Carolina Bonfim
Henri Bony
Loren Britton
Lucille Calmel
Centre for Research in the Arts, Humanities and Social Sciences (CRASSH, The University of Cambridge)
Louise Charlier
Florence Cheval
Camille Circlude
Guillaume Clermont
Wellcome Collection
Imperial Legislative Council
Tom De Cock
Jen Debauche
Government Photozinco Department
Ferdinand Despy
Milena Desse
Pierre-Philippe Duchâtelet
Benoit Dusart
Désorceler la finance/Unbewitching Finance
Facebook
Aline Fares
Sonian Forest
Loraine Furter
Merge Games
Sofia Gantois
William Forbes Gatacre
Khristine Gillard
Maud Girault
Google
Bruno Goosse
Xavier Gorgol
Luce Goutelle
Nathalie Grandjean
Greyzone Zebra
Simon Hardouin
Manuel Hermia
Brendan Howell
Eleni Kamma
Stephan Kampelmann
Ayoh Kré
Adrien LUCCA
Outi Laiti
Camille Lamy
Enz@ Le Garrec
Clyde Lepage
Justine Lequette
Alexandre Leray
Annik Leroy
Deborah Levy
Jorge León
Martin Loridan
Christos Lynteris
Lionel Maes
Nelson Makengo
Romain Marula
Vincent Meessen
Christine Meisner
An Mertens
Olivier Mignon
Julie Morel
Léa Mosconi
Freddy Mutombo
Emmanuelle Nizou
Cédric Noël
Gerrit Nulens
Joachim Olender
National Library of Scotland
Anne Penders
Marianne Plano
Mary Louise Pratt
Jara Rocha
SLATO
Fabrice Sabatier
Mira Sanders
Edward Saïd
Alexander Schellow
Anna Seiderer
Guillaume Slizewicz
Laure Cottin Stefanelli
Shivani Sud
Nasrin Tabatabai
Septembre Tiberghien
Doriane Timmermans
Miléna Trivier
Jugames V
Louise Vanneste
Vermeir & Heiremans
Antje van Wichelen
Antoine Wang
Kymberly Ward
Eva Zingaro-Meyer
T. J. Demos
Gijs de Heij
types
Articles
Audiovisual documents
Book sections
Books
Collected Documents
Conferences
Events
Images
Interviews
Notes
Physical objects
Quotes
Reports
Series
Technical objects
Vocabulary terms
Webpages
tags
act
actor–network theory
agence
agency
agentivité
alternative dissemination
apparatus
architecture
archive
archives
archives sonores
art actuel, recherche-création, diffusion, œuvre d’art, Art et sciences de l’art, sociologie de l’art, bricolage, approche critique, improbable, coefficient de visibilité incertain
artisanat
audition spatiale
auto-ethnographic
auto-ethnographique
autodidaxie
Belgique
Belgium
bibliothèque
biopolitics
biopolitique
body
Bombay
bubonic plague
caricature
cartographic languages
cartographie
cartography
chalk_kate
cinema
citation
civilisation
classification
clay
colonial
colonialism
colonialisme
coloniality of knowledge
colonialité des savoirs
colonisation
colonisme interne
color
combinatoire musicale
communs
composition
composition musicale
contemporary art, research-creation, dissemination, artwork, Art and art sciences, sociology of art, bricolage, critical approach, improbable, uncertain coefficient of visibility